Directed By: Frederick Friedel
Starring: Leslie Lee, Jack Canon, Ray Green, Frederick Friedel, Douglas Powers, Hart Smith, Scott Smith
Synopsis: Three killers are on the run, and stumble upon an isolated farmhouse that is the home of Lisa and her paralyzed grandfather.
Axe is a pretty typical exploitation story, and something we’ve seen done multiple times, and often done better. Three criminals are on the run and looking for a place to hide. They find an isolated farm with a vulnerable target, in this case, a young girl named Lisa, who is caring for her paralyzed Grandfather. The criminals terrorize and humiliate Lisa, driving her over the edge until she snaps and exacts her revenge.
The film was originally released as Lisa, Lisa in 1974. As you can imagine, the title didn’t do a lot to attract viewers, so it was retitled as Axe, as well as California Axe Massacre, in an obvious attempt to ride the coattails of The Texas Chainsaw Massacre. The title change eventually attracted the attention of the British Board of Film Classification, which placed Axe on the list of Video Nasties. Why Axe landed on the list is a bit of a mystery. Perhaps it was due to the cover, or that it was a young girl enacting revenge, but in reality, the majority of the action occurs off screen. This movie could have been much gorier, and even much darker had the director decided to.
Frederick Friedel filmed another movie at the same time as Axe, The Kidnapped Coed. Years later, Friedel would cut the movies together as The Bloody Brothers, creating a “twisted crime epic” as described by Severin Films. Severin, put out a rather amazingly extensive edition of Axe and The Kidnapped Coed, as well as Bloody Brothers. I’ve yet to watch either The Kidnapped Coed or Bloody Brothers, but for fans of 70s exploitation, it’s a pretty great set.
Overall, I found Axe to be on the boring side. There were some creepy elements to it at times, but it didn’t have much in the way of shock value, especially when comparing it to something along the lines of Last House of the Left or I Spit on Your Grave, which are the benchmarks in the revenge exploitation genre.
How Nasty Is It?
Not very nasty at all. While it hints at some darker themes, most of the action takes place off the screen. In my opinion, this title landed on the list mostly due to its cover and theme.